australian passport L0768264.	absolute uncertainty. i am the property of the australian state.  i did not choose this, it just happened that way.  actually, i don't want to belong to any state really, but i am told this is not possible.  other states demand that i not be stateless, thus to move freely over the planet compels allegiance; a return-to-sender address.  i am not comfortable with this.	sputnik, 4 october 1957.
airship over occussi. occussi-ambeno, august, 2001.	sky cruising is best experienced whilst sailing through the open air in a solar-powered airship, at moderate altitude, under a clear, high sky, and with no particular destination.  however, if you're strapped for time, or if you don't have an airship, feel free to play it on your favourite desktop in an appropriate mood of entrancement.	airship dreaming.
airship departing the coast. parangtritis, indonesia, 1998.	airships at dawn. watching from the limestone cliffs that enwrap the enclave, waves pounding the yellow sand beach.  airships approach in the distance, sailing silently and deliberately.  is this deliverance? ... or just another false hope?	waiting for the airships. cape york, australia, 1998.
knowers. 1998-2001.	yin yang. every relationship attempts to construct me in a particular image.  every day a multitude of representations are projected upon me.  sometimes i acquiesce, yielding to these representations, and other times i do not.  many people profess to know me.  and perhaps some really do.  but which 'me' do they mean?  and does the knower therefore own a part of me?  my personal mystery is thus subjugated, and the possibility of change disallowed.	unknown. 1980 - 2001.
my place. yogyakarta, indonesia, 1998.	here now past gone. wherever and whenever i am constitutes the centre of the universe. though frequently appearing to move, i am in fact static.  relationships and happenings mere chance intersections of time and space, ultimately meaningless.  i am alone, and find my own peace within this aloneness.  mu.	my place. fremantle, australia, 1984.
a naturally-occurring yoni.	sun dance is a funky, pagan dance tune played to celebrate the supreme source of light and life.  fertility rites may also be performed in synchrony with the rhythm, as can the 12-yearly bhairawa circle rites involving ceremonial defloration of the four nusantaras.  (the latter is not recommended for the inexperienced or for those with cardiovascular issues.)	jamur lingga pelangi raksasa.
i used to be an artist, but now i'm a sociologist. i think. new zealand, 1980.	baroque 20c. i wrote this when i was in high school, originally for solo acoustic guitar.  whenever i am asked to play something on guitar i usually play this, mainly because i can do it autonomically.  the influence is clearly baroque period classical, a reflection of the material i was studying at the time.  it is not funky.	rice fields. occussi-ambeno, 2002.
okusi sunset.	hot okusi nights. darkness descends upon the hot, wet okusi landscape; the drums begin to throb; lightning cracks overhead, and the natives come out to play.  oriential dreaming, escape, freedom, sensuality, harmony.  at peace with the world, unburdened by moral polemics.   until the money runs out.	oriental dreaming.
download playlist file	knowingly or unknowingly, wittingly or unwittingly, the following entities, non-entities, places and events contributed to the production of this quasi-artistic synthesis:  charlie parker, wolfgang a. mozart, bruce henderson, joseph haydn, kim salmon, 1968, jimmy page, mar bucknell, ted lewis, jesse dean, bryce moore, cpa, gary dean, lina koh swee lin, sir charles court, bootleg, aden, bu wilson, social security, yuni dwi astuti, gough whitlam, the end of prehistory, fremantle agriculture, shen, vietnam, paul stange, bob hawke, hungerford's diseases of livestock, glasshopper, karl marx, wa child welfare dept, nasrocha, freedom collective, janette weaver, jo stevens, aisya, glenn miller, america's cup, hawkwind, mm rahayu yulianti, volin, dave bower, ian anderson, jfsh music room.	published by pt.Okusi, yogyakarta.
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